few years ago, Mathieu Amalric said he wanted to stop play-acting to devote himself to directing. Well, the problem is that it's easier said than do, especially when receiving phone calls from Resnais, Besson, Wes Anderson and another Spielberg. Not to mention the opportunity indeclinable playing the villain in James Bond . Suddenly, the man of three Caesar took time to complete his fourth film, but when you see the result, we say that it was worth the wait.
Tour is a declaration of love at the Cabaret at the scene, New Burlesque, Amalric brilliantly filmed the scenes, the laughter, the moments of distress. Mimi de Meaux, Dirty Martini, Rocky Roulette or Kitten On The Keyes We offer their own numbers sometimes funny, sometimes poignant, always poetic. The film offers other times quite magical scenes suspended in time, as this encounter with a cashier station, or the declaration of love from Joachim to his troops, hiding behind a microphone, or this beautiful scene with the cashier in the supermarket where one moves from laughter to emotion without seeing anything coming before returning to laugh, great art!
Amalric puts his tender look at these girls buxom, laughter bright, the following French producer lost in his own country. Joachim Zand's character, played by its creator, is fascinating, and his mysterious past as fascinating as its future uncertain. The staging is simple, plans long enough to allow us to take a seat alongside his birds at night and give us one wanted to be part of this tour!
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